Aniruddha Roy Chowdhury’s film directs an admirably unsentimental, candid gaze at maternal hesitation
About The Author
A film festival-junkie, Debanjan takes a keen interest in tracking and reporting on South Asian independent cinema.
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Mohit Suri’s latest reprisal of an anguished romance is all derivativeness and no fire
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On his birthday, here is reflecting on the cinematic oeuvre of the Thai auteur, whose debut arrived 25 years ago with a peculiar, playful riff on storytelling.
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Dead on arrival, Pulkit’s directorial is agonising to endure
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On his birth centenary, a lookback through Guru Dutt's life and work.
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The hyperlink spiritual sequel throws a lot at the wall but sparkles only occasionally
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The Iranian master’s final film, 24 Frames, erases lines between photography and cinema
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As Devdas turns 23 this July, here’s looking at the enduring intrigue of Aishwarya Rai Bachchan, who reigned over the global stage since the film’s release, despite an intermittent career back home.
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Lost in a pointless loop, the once-exhilarating series no longer knows what to say
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Joseph Kosinski’s Formula One stint surges forth only in fits
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